I'd like to make one thing clear: I've had a love affair with Star Trek through most of my life. I was six years old when the original series debuted, and I attended the first convention in New York, where I had the less than auspicious first encounter with fandom when I saw a long line of people waiting for an autograph. I asked who they were waiting for and I was told Gene Roddenberry. I innocently asked, "Who's Gene Roddenberry?" and was told in response, "You're on the wrong line, kid."
My love for Star Trek grew throughout the '70s and I certainly grew to know who Gene Roddenberry was. in fact, I spent a great deal of time conducting interviews with various writers, directors and producers from the original Star Trek, from the original series through the animated show, aborted attempts at feature films, all of the movies and, of course, Star Trek: The Next Generation and beyond.
I think this strip came from a combination of my curiosity about the J.J. Abrams version of Star Trek as well as my frustration over the fact that the franchise had kind of dwindled away through the Voyager and Enterprise years to the point where JJ's film seems like a make-it-or-break-it type for Star Trek. I was also taking a good natured jab at JJ's script for an unfilmed version of Superman that postulated Krypton's survival and Lex Luthor's revelation that he's actually a Kryptonian. I have to admit that I hadn't read the script at that point, but subsequently I did and have to say, the Krypton surviving angle worked much better than I thought it could, though i still disliked the Luthor aspect -- and told JJ so.
This particular strip also saw the introduction of the work of artist Fernando Sosa.